Lyricist for McNally-penned musicals “Ragtime,” “A Man of No Importance” and “Anastasia”
He was a stickler for every word he wrote, every comma, every period. He would occasionally lecture the cast: “If I write a comma, you pause. If I write a period, you stop. I don’t want you to pause when there is no comma.”
What made Terrence’s voice distinctive was his authenticity: His very being went into every character. And he wanted every project to be great, mature, profound, serious at its heart — even “Anastasia,” which was based on an animated movie. He wanted to explore the history, to tell a more grown-up story.